I have been waiting for this film since it was first announced because the subject, Neil Armstrong, was one of my boyhood heroes. I booked for the first day, but an unforeseeable circumstance prevented my getting to see it. On the second occasion, the gridlocked town centre delayed the bus service so much that I gave up and returned home.
Third time lucky then. Made it!
Was it worth the effort?
Heaving a great sigh of relief, I can report it most certainly was.
This film is a biography of Neil and his family from the birth of his first child to his return from the Moon.
The story is skilfully crafted and gives a good insight into the stress of family life when one member is involved in a dangerous occupation.
A lot of the focus is therefore on the lives of Neil’s wife, Janet, and their three children. There is also focus on Neil’s second family, the cadre of astronauts on the Gemini and Apollo missions.
We see an interesting movement in Neil’s priorities between these families over time and the effects this has on the other people involved.
The training for the eventual Moon mission is created with stunning effects and skilful tension building.
I was quite familiar with his story, especially the major steps on his journey to the Moon, but the director still managed to raise my heartbeat and relief over and over again.
By the end of the film, I felt choked up, exhausted and exhilarated, all at the same time.
I think this film is fully deserving of the 5 stars I am giving it.
I hope you agree.
The Equalizer 2 is the first time Denzel Washington has ever made a sequel movie, having never received a script that held up the quality of the first incarnation. This indicates to me that he had confidence that the script, director and production of this film would at least be as good, if not better that the first.
Was he right?
With a big sigh of relief, yes he was.
This is a brilliant thriller, with twists and turns, plots and intrigue, to satisfy this actor’s fan. A bad or even poor Denzel Washington film is very hard to think of. I failed while writing this review.
The opening scene is worthy of a Bond, not for the action (of which there is plenty) but for the surprise and cleverness. This continues through the film to the very last scene.
I have often complained about the lack of originality in sequels but that is not a problem here. We get a good understanding of the man, his history and his moral compass. All this while restores good into the world for the weak and some measure of revenge for him-self.
I loved this film, physically excited and emotionally delighted throughout. The full 5 stars out of five and fingers crossed for another instalment from The Equalizer.
First I must apologise for the break in my blog posts during the last few weeks.
In the battle between the incredible weather and the dominance of tedious franchise movies, my garden won.
That being said, my first trip back is to another franchise film, Mission Impossible Fallout.
Fans of this franchise or just of Tom Cruise will not be disappointed.
The first scene echoes the original TV series beautifully, for those old enough to remember.
This sets off the usual series of chases, mass slaughter of bystanders and villains and double or triple crossing conspiracies.
No complex plot twists to be found in the style of Le Carré.
Just continuous, adrenaline pumping, action and mindless violence. It made me smile and wince several times, but left without really caring about the story or characters.
It does push the courage of Mr Cruise who, while filming in London, broke his ankle. This scene is still used in the film and it is amazing he could still run, if only for a couple of steps.
This is a well-crafted film of this type in all respects except for originality.
For that reason I can only give it 4 out of five stars.
This is the re-launch of the Tomb Raider franchise with a new, fit for 21st century, Lara Croft.
Gone are the pneumatic charms of the video game Lara, or the superwoman Angelina Jolie.
We now have a hero in the mould of GoT’s Arya Stark or Star Wars Rey.
Alicia Vikander’s performance alone raises this from just another high adventure into the story of a real human being struggling with circumstances that would defeat most of us.
Unfortunately, she is surrounded by cardboard cut-out friends and villains who add nothing unique to the story.
I enjoyed the early scenes, shot in and around London and Hong Kong, that were beautiful, exciting and totally believable. The later scenes descend in the now over familiar CGI scenery and perils. These could have been from any number of similar films and require a great effort of imagination to accept.
I am sure that this film will appeal to the less jaded cinema audiences, especially young women, who have traditionally been underserved in such dramas.
For that reason I have raised my assessment to give this film 4 out of five stars.
Red Sparrow is a very contemporary play set against the rising threat of Russian expansionism. The cold war of old has been re-kindled but old spy craft is still a primary tool used against the West.
Enter Jennifer Lawrence as one of the nails used by the Russian hammer against, in this case, the Americans.
The story continues with great pace and gusto that gives the initial impression of being an exciting and gripping story. However, this is no Le Carré or Deighton story. There is no light and dark in the characters. The bad guys are all super-bad and the good guys could almost be wearing white hats.
The viewer is kept guessing about the true motivations of Miss Lawrence’s character till the end, but you can see within the early scenes who is going to lose the most.
On top of this plot is laid a visual assault of violence, gore and sex that is unprecedented in my experience in the legitimate cinema. Many scenes were bordering on the pornographic both in violence and nudity.
This may be artistically justifiable, indeed the presence of several A-List actors would indicate they felt it was justified, but not for me.
This would have benefited from clearer story telling, deeper characterisation and less visual exploitation.
Just 3 out of five stars.
In some respects, reviewing this film seems like a waste of time because the whole franchise is Marmite. (For my non-UK readers, Marmite is a strong, yeast based spread which “You either love it or hate it” and nothing will change your views).
I freely admit to being a hard-core fan since I was in New York when the first film opened and saw it on Times Square just a week after it opened in 1977.
After seeing this tale from the series, I was left feeling conflicted. There is something missing from the spirit of the film, which I think I have identified.
What is present is an atmosphere of foreboding. Part of this is the realisation that Carrie Fisher will not be in any further films, but also that the story is losing itself in a circle of plot clichés.
So what is missing? Joy.
The simple, innocent joy, that in the eternal fight of good vs evil, knowing that good will always be triumphant.
Also, the pure joy of love and laughter.
Sadly my inner 14yr old child was not excited by this film, but my adult self was. Tor this reason I give it 4 out of five stars.
Many of you will fondly remember the 1996 Jumanji film, starring Robin Williams and Kirsten Dunst. You can rest assured that the new chapter of Jumanji will not tarnish those memories but add another set of family memories.
The story picks up on the Jumanji Box that contained the original board game and what happened to it since 1996.
The writers have come up with a believable fantasy that whisks you back to the game with tremendous passion, humour and originality.
The four adult actors, Jack Black, Dwayne Johnson, Kevin Hart and Karen Gillan, give fantastic portrayals of juveniles thrust into adulthood and coming of age.
Indeed, I would claim that these are probably the best performances they have ever given.
This is far and away the best family film of the season, if not the year.
I would go so far as to say, this beats the pants off Star Wars (and I am an avid Star Wars fan).
So for my best family film of 2017, the full 5 stars out of five.