I have been waiting for this film since it was first announced because the subject, Neil Armstrong, was one of my boyhood heroes. I booked for the first day, but an unforeseeable circumstance prevented my getting to see it. On the second occasion, the gridlocked town centre delayed the bus service so much that I gave up and returned home.
Third time lucky then. Made it!
Was it worth the effort?
Heaving a great sigh of relief, I can report it most certainly was.
This film is a biography of Neil and his family from the birth of his first child to his return from the Moon.
The story is skilfully crafted and gives a good insight into the stress of family life when one member is involved in a dangerous occupation.
A lot of the focus is therefore on the lives of Neil’s wife, Janet, and their three children. There is also focus on Neil’s second family, the cadre of astronauts on the Gemini and Apollo missions.
We see an interesting movement in Neil’s priorities between these families over time and the effects this has on the other people involved.
The training for the eventual Moon mission is created with stunning effects and skilful tension building.
I was quite familiar with his story, especially the major steps on his journey to the Moon, but the director still managed to raise my heartbeat and relief over and over again.
By the end of the film, I felt choked up, exhausted and exhilarated, all at the same time.
I think this film is fully deserving of the 5 stars I am giving it.
I hope you agree.
This is another British period drama carrying the BBC Films and other respected logos.
It has all the cinematic beauty that you could wish for, ranging from middle class England to the coffee plantations of the African rift. The cars and costumes are sumptuous. The script is delivered like butter on a warm crumpet. The acting, by many of our finest younger stars, is convincing.
You are made to feel the heartbreak and pain of the protagonists and supporting cast. Delicious.
The story weaves the struggles of a whole family in a battle with Polio, a once common but now thankfully almost eradicated disease. As it reaches its inevitable conclusion, we can reflect on the benefits to the whole world from that family’s troubles. This converts a tragedy into a victory worthy of recording in this film.
This film is the debut for Andy Serkis as a director, boding well for his future projects.
A very solid 5 out of five stars.
At its heart, Battle of the Sexes is the story of a publicity stunt that went hideously wrong for its sponsor and in doing so caused a revolution in the world of women’s sport.
In 1973, Bobby Riggs, a former champion tennis player and world-class chauvinist, made a public claim that no woman pro-tennis player could beat any male pro-player.
What develops from this statement by an uncomfortably horrible braggart leads to a match between himself and Miss Billie Jean King.
Ms King was already established in the world of women’s tennis and leading their struggle for equal pay.
What follows is a portrait of institutional sexism at its most patronising insidiousness.
This story is not however crying into its hands.
Humour balances pathos and excitement balances emotion to give a well-rounded story that will educate and delight in equal measure.
Emma Stone portrayal of Billie Jean King is very believable.
Comedic actor Steve Carell gives a very controlled, reined in performance of an overconfident, addictive character as Bobby Riggs, good enough for possible award consideration.
He makes you laugh, loathe and pity this sad man, who is so wrapped up in his past glories, allowing his boasting lead him to an inevitable downfall.
As a sports movie, this is one of the very best I have ever seen.
A sporting 4 out of five stars for this biopic.