Three Billboards is an intriguing tale about a mother unable to come to terms with the murder of her daughter and the failure of the local police to solve the crime.
We are given a brief history of the offence and the events surrounding it but, the true story is about a mothers drive for justice and what that costs her and her remaining family. The title refers to the method she chooses to put a firework under the local sheriff after 7 months of apparent inaction.
Casual violence and abuse of authority punctuates the various intertwined family histories to give a grim picture of modern day life in the southern United States. Life in rural Missouri is dominated by casual extreme violence, racial and gender hatred, abuse of power and ignorance.
The performances throughout this film are very belieable. The three lead actors, Frances McDormand, Woody Harrelson and Sam Rockwell, will be recognised from their previous films and television roles but their combined performances are so good you totally see them as the characters.
By the end of the film there is redemption for some and sadness for others. Nobody leaves this tale unscarred by the events.
A remarkable and enjoyable film worth 5 out of five stars.
Since 1974 there has been at least five major productions of Murder on the Orient Express, so how do the makers keep the latest incarnation fresh and appealing?
Well they have done a number of things, first and foremost, put a great director in the chair with a great actor in the lead. In this case both are the same person, Kenneth Branagh, who dominates this film with a far richer, multi faceted Poirot than any I have seen on screen, big or small. His Hercule Poirot is an eccentric, sentimental, razor sharp detective. He also gives time to generating an in-depth portrait of why Poirot is the self proclaimed ‘Great Detective’ By doing this, new audiences will have some understanding of Agatha Christies hero.
The second step is to populate the Orient Express with a full cast of A-list actors. All deliver first class performances, including the younger stars who really impress next to their noble elders.
Third, you create an atmosphere of claustrophobia mystery and fear. This is achieved by making the sets so tight that, for several scenes, the only place to put the camera is in the ceiling.
Finally, you place the train in a totally realistic setting, both historically (by referencing actual events with just the names changed) and visually (with restrained by convincing use of CGI to convince you they are in the mountains).
I think we are guaranteed another outing for the ‘Great Detective’ fairly soon.
I left the cinema feeling very satisfied by a great story well told.
The full 5 out of five stars for Mr Branagh and company.