Finding your feet is a lovely little film, in the English tradition of light domestic stories told with emotion and humour.
Full of British TV and Film stars, most notably Timothy Spall, Imelda Staunton, David Hayman, Celia Imrie, and Joanna Lumley.
It is produced and directed by even more of our great British talented people, including those behind the wonderful A Street Cat Named Bob just last year.
The plot encompasses loss in many forms and also survival from those losses. It also features the best death scene ever, certainly the way I would like to go.
It is told with great kindness for the characters. There are no big villains, although some are very cruel by their unthinking actions, eventually to be saved.
Happy endings for every character; a feeling of having been hugged for the audience.
I can imagine watching this film again at home over Christmas in front of a warm fire with cosy slippers and a nice glass of sherry.
A well earned 4 out of 5 stars.
The Shape of Water is an adult fairy tale, of monsters and lovers, sacrifice and hatred.
We are taken to the post WW2 anti-communist paranoid America, coloured with a dark palate, giving an impression of an old gothic horror.
Emotions are all ramped up to the maximum with no time for nuance or subtlety.
Thankfully the plot moves quickly as a result and the 2 hour 3 minute duration flies as quickly.
This film is probably the director Guillermo Del Toro’s best work (I haven’t seen them all so cannot be certain).
The performances by actors Sally Hawkins, Octavia Spencer, Richard Jenkins and Doug Jones are all excellent.
I would particularly pick out Doug Jones who inhabits the central creature around which the story revolves. He brings the full range of emotions to his character without benefit of language, purely by his body language, which shines through his latex prosthetic body. (You may have seen him recently in Star Trek: Discovery, similarly cloaked in alien costume.)
As the story reached the ultimate and predictable conclusion, I felt this to have been a satisfying experience.
This will not be everybody’s cup of tea; indeed I resisted seeing it until after its Bafta success.
It is well worth 4 out of five stars.
Darkest Hour is the story of the few days when Winston Spencer Churchill became Prime Minister to the end of the Dunkirk evacuation.
I found this to be one of the most enjoyable history lessons I have ever experienced.
The political machinations show that anything we see from Westminster now is nothing new.
The hype surrounding Gary Oldman’s performance is well founded, as he produces a totally convincing image of the great orator.
An outstanding technical and artistic cast supports Oldman. Together they produce a near documentary recreation of real events.
If you collect DVDs, I would recommend pairing this film with Dunkirk as a perfect evenings viewing.
This film scores on all measures that I use to rate films and fully deserves its 5 stars.
Three Billboards is an intriguing tale about a mother unable to come to terms with the murder of her daughter and the failure of the local police to solve the crime.
We are given a brief history of the offence and the events surrounding it but, the true story is about a mothers drive for justice and what that costs her and her remaining family. The title refers to the method she chooses to put a firework under the local sheriff after 7 months of apparent inaction.
Casual violence and abuse of authority punctuates the various intertwined family histories to give a grim picture of modern day life in the southern United States. Life in rural Missouri is dominated by casual extreme violence, racial and gender hatred, abuse of power and ignorance.
The performances throughout this film are very belieable. The three lead actors, Frances McDormand, Woody Harrelson and Sam Rockwell, will be recognised from their previous films and television roles but their combined performances are so good you totally see them as the characters.
By the end of the film there is redemption for some and sadness for others. Nobody leaves this tale unscarred by the events.
A remarkable and enjoyable film worth 5 out of five stars.
This is another British period drama carrying the BBC Films and other respected logos.
It has all the cinematic beauty that you could wish for, ranging from middle class England to the coffee plantations of the African rift. The cars and costumes are sumptuous. The script is delivered like butter on a warm crumpet. The acting, by many of our finest younger stars, is convincing.
You are made to feel the heartbreak and pain of the protagonists and supporting cast. Delicious.
The story weaves the struggles of a whole family in a battle with Polio, a once common but now thankfully almost eradicated disease. As it reaches its inevitable conclusion, we can reflect on the benefits to the whole world from that family’s troubles. This converts a tragedy into a victory worthy of recording in this film.
This film is the debut for Andy Serkis as a director, boding well for his future projects.
A very solid 5 out of five stars.
Many of you will fondly remember the 1996 Jumanji film, starring Robin Williams and Kirsten Dunst. You can rest assured that the new chapter of Jumanji will not tarnish those memories but add another set of family memories.
The story picks up on the Jumanji Box that contained the original board game and what happened to it since 1996.
The writers have come up with a believable fantasy that whisks you back to the game with tremendous passion, humour and originality.
The four adult actors, Jack Black, Dwayne Johnson, Kevin Hart and Karen Gillan, give fantastic portrayals of juveniles thrust into adulthood and coming of age.
Indeed, I would claim that these are probably the best performances they have ever given.
This is far and away the best family film of the season, if not the year.
I would go so far as to say, this beats the pants off Star Wars (and I am an avid Star Wars fan).
So for my best family film of 2017, the full 5 stars out of five.
This is a beautiful little film about how and why our most cherished author, Charles Dickens, came to write A Christmas Carol.
The cast consists of a large ensemble of top British acting talents. The script is sharp, humorous without descending into farce and very entertaining.
It does not take a straight biographical narrative but turns the story into an allegory, in the style of Dickens himself.
The fearful side of early 19th century London life is well represented, while at the same time; the viewers’ sympathetic and nostalgic emotions are gently stirred to a crescendo at the climax of the story.
I predict this film will become a staple television entertainment of Christmases yet to come, just as the Christmas Carol itself has.
First class family entertainment so 5 stars out of five for this seasonal treat.