The Guernsey Literature and Potato Peel Pie Society ****

The Guernsey Literature and Potato Peel Pie Society is an absolutely charming love story.

It is set just after WWII in London and on the Channel isle of Guernsey, with flash backs to the German occupation period.

Featuring a plethora of fine British/Dutch/American acting talent, the story is told at a gentle pace, focusing on the tensions caused between natives and occupiers and the after effects in peacetime.

The story arrives at its inevitable and predictable conclusion, which is nonetheless, very satisfying.

Lily James gives a warm and believable portrayal, which leads the story.  She plays a young author and survivor of the London Blitz, struggling at times with PTSD.

The story could have degenerated into a sentimental tale but avoids this fate with careful measures of humour and grit to balance the sugar.

My only regret about the film is that it was not shot on the island.  Due to financial reasons, it was filmed in the beautiful county of Devon. Anybody expecting to see lovely St Peter Port will have to settle for a very different English fishing village. That is a minor point, but a distraction if you know the locations.

I recommend this for anybody with a love of our history and the tradition of British filmmaking.

At the time of writing, this film is showing at the Odeon for this week, and will undoubtedly moves to the Silverscreen performances in a few weeks.

I award it 4 out of five stars.

 

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Finding Your Feet ****

Finding your feet is a lovely little film, in the English tradition of light domestic stories told with emotion and humour.

Full of British TV and Film stars, most notably Timothy Spall, Imelda Staunton, David Hayman, Celia Imrie, and Joanna Lumley.

It is produced and directed by even more of our great British talented people, including those behind the wonderful A Street Cat Named Bob just last year.

The plot encompasses loss in many forms and also survival from those losses.  It also features the best death scene ever, certainly the way I would like to go.

It is told with great kindness for the characters.  There are no big villains, although some are very cruel by their unthinking actions, eventually to be saved.

Happy endings for every character; a feeling of having been hugged for the audience.

I can imagine watching this film again at home over Christmas in front of a warm fire with cosy slippers and a nice glass of sherry.

A well earned 4 out of 5 stars.

The Shape Of Water ****

The Shape of Water is an adult fairy tale, of monsters and lovers, sacrifice and hatred.

We are taken to the post WW2 anti-communist paranoid America, coloured with a dark palate, giving an impression of an old gothic horror.

Emotions are all ramped up to the maximum with no time for nuance or subtlety.

Thankfully the plot moves quickly as a result and the 2 hour 3 minute duration flies as quickly.

This film is probably the director Guillermo Del Toro’s best work (I haven’t seen them all so cannot be certain).

The performances by actors Sally Hawkins, Octavia Spencer, Richard Jenkins and Doug Jones are all excellent.

I would particularly pick out Doug Jones who inhabits the central creature around which the story revolves. He brings the full range of emotions to his character without benefit of language, purely by his body language, which shines through his latex prosthetic body. (You may have seen him recently in Star Trek: Discovery, similarly cloaked in alien costume.)

As the story reached the ultimate and predictable conclusion, I felt this to have been a satisfying experience.

This will not be everybody’s cup of tea; indeed I resisted seeing it until after its Bafta success.

It is well worth 4 out of five stars.