This is the second film of the Kingsman franchise, and on this form, not the last.
Yes it’s time to release our 14-year-old selves and suspend disbelief for 141 minutes in our busy lives.
The writers’, Jane Goldman and Matthew Vaughan, have created another rip-roaring, rooting-tooting extravaganza that keeps the viewer riveted to their seats. The fantastic soundtrack matches the action brilliantly, raising your pulse rate over and over again.
A great cast, obviously enjoying their chance to overact like crazy, do a fine job of representing their comic-book characters perfectly.
I would especially highlight the two animal actors, both puppy dogs, who are used to great emotional effect.
I doubt there will be any major prizes for this film but you will be awarded with a very enjoyable piece of entertainment.
The full 5 out of five stars for this piece of glorious hokum.
Sometimes the experience of sitting in a cinema can make you feel really old. Today I was is a near capacity audience and I think if you took the combined age of any three, I would still have been older.
This is because Baby Driver is squarely aimed at the current Grand Theft Auto generation. For these millennials, raised on the criminal as hero, driving to kill, all while isolated in a bubble of noise from their surgically attached ear buds, this film was heaven.
But that isn’t to say I did not like it, far from it. This is a well-written, directed and acted crime caper in the long tradition of The Italian Job and Bonny & Clyde.
The music forms the controlling heartbeat of the action, raising your blood pressure with the craft of Hitchcock. The choice of music is eclectic and appropriate. I felt very at home with many of the choices and enjoyed the newer pieces so much; I am considering buying the sound track.
This film deserves a much broader audience than saw it with me today. For that reason I award it 5 out of five stars. Give it a go.